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8 thoughts on “ Fugue 42 ”
Fugue, in music, a compositional procedure characterized by the systematic imitation of a principal theme (called the subject) in simultaneously sounding melodic lines (counterpoint). The term fugue may also be used to describe a work or part of a work. In its mathematical intricacy, formality.
FUGUE is a program for recognizing distant homologues by sequence-structure comparison. It utilizes environment-specific substitution tables and structure-dependent gap penalties, where scores for amino acid matching and insertions/deletions are evaluated depending on the local environment of each amino acid residue in a known structure.
Apr 11, · The concluding chapter, on "Accompanied Fugue," deals 40, 41—The cadence of a fugue subject, 42–45—Length, 46—Compass, 47—A subject may begin on any degree of the scale, 48–49—The subject must be contrapuntal in character, 50—Adaptability for stretto.
Sonata - BWV (Arr. for recorder and harpsichord) Michael Beckenkamp Vivace.
Fugue definition is - a musical composition in which one or two themes are repeated or imitated by successively entering voices and contrapuntally developed in a continuous interweaving of the voice parts. How to use fugue in a sentence. fugue and Bach.
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Nov 11, · Provided to YouTube by The Orchard Enterprises Atalanta Fugiens: Fugue 42 · Michael Maier · Rachel Platt · Emily Van Evera · Rufus Müller Maier: Atalanta Fugiens ℗ Claudio Records.
The subject of the C-major fugue, for instance, begins on C, the answer on G (m. 2). Similarly in the D-major fugue, the subject begins on D, the answer on A. From what we have just said about the answer beginning a fifth higher than the subject (or fourth lower, which is essentially the same thing), it would follow that a subject that begins.